Figurative
My primary work is figurative and rooted in Expressionism, drawing inspiration from artists such as Georg Baselitz, Jean-Michel Basquiat, George Condo, Ernst Ludwig Kirchner, Pablo Picasso, and Cy Twombly. Influenced by the visual immediacy of street art, Naïve Art, and Pop Art, I use bold color, loose gestural mark-making, assertive line work, and mixed media processes to construct layered, emotionally charged compositions. Through fragmented and psychologically tense representations of the male figure, I explore masculinity, desire, intimacy, vulnerability, and human connection through the lens of my experience as a gay man. The male form remains central to my practice—often distorted, compressed, or emotionally charged—as a means of examining both personal and collective experiences of identity, selfhood, and belonging.
Animals
I continue to explore masculinity through the physical presence and symbolic weight of animal forms. Rendered with a heightened sense of realism, structure, and detail, these figures maintain an expressive, layered quality that connects them to my broader practice. The animals are depicted outside of their natural environments, positioned against raw, abstract surfaces informed by urban textures and gestural mark-making.
Abstracts
Through abstract painting, I explore texture, accumulation, and transformation through sustained engagement with the canvas. Working with acrylic, oil, collage, and plaster, I build surfaces through thin washes, pours, drips, and stains of paint that are repeatedly reworked as the image evolves through a balance of intention and material unpredictability. As layers accumulate and erode, color, gesture, and texture emerge through direct physical interaction with the surface as it dries. The palette and material sensibility draw from a masculine register, expressed through earth tones, rusted hues, and mineral-based colors associated with industrial landscapes and natural elements, forming compositions that hold an emotional language rooted in atmosphere, memory, and physical sensation.
Urban
Sediments
In Urban Sediments, I create layered collages from photographic fragments gathered in the wild across multiple cities. Through tearing, abrasion, and staining, these images take on the qualities of urban surfaces—accumulated, weathered, and in flux. By extracting and reframing these overlooked textures, the work highlights the quiet, sedimentary beauty of the built environment and invites a reconsideration of what is typically ignored.
Cultural
Sediments
In Cultural Sediments, I construct layered collages on painted grounds that evoke the weathered surfaces of urban walls. Working with repurposed vintage gay adult magazine imagery, I tear, abrade, and stain each element so that figures emerge in states of partial erosion—marked by time, environment, and cycles of removal. This process mirrors the accumulation and decay of cultural memory, tracing shifting ideals of masculinity within the gay community and the persistent nostalgia attached to earlier archetypes of the idealized male body. By translating once-private images of desire into surfaces that recall public urban remnants, the work considers how identity, beauty, and history are continually constructed, circulated, and worn away.”
Original
Drawings
Not every drawing I make is kept. Most are discarded, but occasionally I save the ones I consider “finished” — or simply can’t bring myself to throw out. Each original drawing below is sold signed and matted, with the option to purchase it framed or unframed.
Older Paintings
I’ve been actively painting for over 20 years, with a consistent focus on the human figure, though my approach to it has evolved over time in both style and method. Across that period, I’ve sold more than 200 works. This is a selection of earlier pieces that remain available in storage, including works that may not have been publicly exhibited or that were held back from past shows.
Guerrilla
Blocks
Through my Guerrilla Block series, I combine found imagery, digital manipulation, collage, and wheat-pasting on recycled wood blocks, merging street art aesthetics with pop culture and queer iconography to further challenge conventions of representation, appropriation, and cultural critique.
Exclusively sold through Revelry Gallery.
(Please visit in-store for more selection.)