Figurative
I explore masculinity as a gay man through desire, intimacy, and emotional complexity, expressed through fragmented representations of the male form shaped by psychological tension and social exchange. Drawing on deconstructed visual languages associated with Pablo Picasso and George Condo, and the immediacy of street art, I construct figures through loose, gestural mark-making and assertive line work, compressed within vivid, densely textured fields of color. Each work carries its own narrative, shaped by a compelling emotional charge.
Animals
I continue to explore masculinity through the physical presence and symbolic weight of animal forms. Rendered with a heightened sense of realism, structure, and detail, these figures maintain an expressive, layered quality that connects them to my broader practice. The animals are depicted outside of their natural environments, positioned against raw, abstract surfaces informed by urban textures and gestural mark-making.
Abstracts
Working through abstraction, I engage processes of accumulation and transformation using acrylic, oil, collage, and plaster. Paint is applied in thin, fluid layers—poured, dripped, and stained—then repeatedly altered over time, allowing each surface to develop through stratification and revision. The resulting works exist within a tension between intention and material unpredictability, where the image is continuously constructed, disrupted, and reassembled.
Urban
Sediments
In Urban Sediments, I create layered collages from photographic fragments gathered in the wild across multiple cities. Through tearing, abrasion, and staining, these images take on the qualities of urban surfaces—accumulated, weathered, and in flux. By extracting and reframing these overlooked textures, the work highlights the quiet, sedimentary beauty of the built environment and invites a reconsideration of what is typically ignored.
Cultural
Sediments
In Cultural Sediments, I construct layered collages on painted grounds that evoke the weathered surfaces of urban walls. Working with repurposed vintage gay adult magazine imagery, I tear, abrade, and stain each element so that figures emerge in states of partial erosion—marked by time, environment, and cycles of removal. This process mirrors the accumulation and decay of cultural memory, tracing shifting ideals of masculinity within the gay community and the persistent nostalgia attached to earlier archetypes of the idealized male body. By translating once-private images of desire into surfaces that recall public urban remnants, the work considers how identity, beauty, and history are continually constructed, circulated, and worn away.”
Guerrilla
Blocks
Through my Guerrilla Block series, I combine found imagery, digital manipulation, collage, and wheat-pasting on recycled wood blocks, merging street art aesthetics with pop culture and queer iconography to further challenge conventions of representation, appropriation, and cultural critique.
Exclusively sold through Revelry Gallery.
(Please visit in-store for more selection.)
Older Works
I’ve been actively painting for 20 years. While my work has consistently focused on the human figure, the way I explore and express this subject visually has naturally evolved over time.
Original
Drawings
Not every drawing is saved. Most are thrown out, but overtime I do save and frame what I considered “finished” drawings or simply sketches that I just don’t want to get rid of. Each original drawing is sold signed, framed, and hung ready.